“White leftists are the biggest hypocrites in America. White
leftists and young hip-hoppers: both of them have
been missing in action; both of them are full of criticism,
but there's very little participation. They fight
everybody who's fighting the system, but they never
get around to fighting the system themselves.”
—from Reverend Al Sharpton's “Just Keep Talking”
TRANSITION 91: Table of Contents
DISPATCHES____________________
The Seat of Europe
On a continent obsessed with nationalism, Belgium
is a nation obsessed with continentalism—it's no
coincidence that Brussels has been named the administrative
capital of the European Union. But not all of Tintin's
countrymen love the idea of a unified Europe; for
some of them, a unified Belgium is too big by half. Naresh Fernandes tells a tale of Walloons,
cartoons, and racist goons.
POSITION____________________
Learning from McDonald'sWho says a cultural revolution can't be quick, convenient, and delicious? It's been a quarter century since Mao's death, and the new Chinese economy is a hodgepodge of great walls and golden arches. Jianying Zha goes in search of a homegrown happy meal.
FICTION____________________
Cunanan's WakeA feast fit for a queen.
By Gina Apostol
The Beaten Grave
Eyes wide shut.
By George Makana Clark
The Reverend Al Sharpton has been running his mouth almost since the day he was born. Ordained as a minister at the age of ten, he has been associated with James Brown, Abner Louima, Tawana Brawley, and the family of Amadou Diallo. Depending on your point of view, he might be the greatest civil rights leader of his generation, a two-bit hustler, or both. Scott Sherman tussles with Al Sharpton about Martin, Jesse, and other slick talkers.
I Don't Care
Haiti's greatest pop star is a cross-dressing provocateur
who brags about his indifference to current events.
In a country where “politics” often means
gang warfare, he's content to drink his whiskey, wear
his dresses, and entertain his fans—even if some
of them are government-sponsored killers. Trenton
Daniel asks Michel “Sweet Micky” Martelly about thugs, drugs, and electronic music.
The Third Citizen
An Armenian who moved to Cairo, Van Leo became
known as the premier photographer of the Middle East:
an exacting craftsman who developed his signature
style by studying Hollywood films from the forties.
He's watched as his adoptive home was overrun by the
Allies, torched by Arab nationalists, and threatened
by Islamic fundamentalists. Akram Zaatari and
Van Leo discuss art, craftiness, and Egyptian
cheesecake.
